Mary Anne Bell (
song_tra_bong) wrote2006-04-11 06:21 pm
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In-country with Fiona -- ambush
They head north for a while, finding nothing particular but silence and trees and room to wander. Soon enough, the light begins to fade and they head back towards the site of their earlier skirmish. For an ambush point, then end up settling on the set of trees their runner had made for earlier; they do make excellent cover.
Mary Anne leans back against a trunk, checking her knives in preparation. She is looking forward to using her newest.
Mary Anne leans back against a trunk, checking her knives in preparation. She is looking forward to using her newest.
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Her hands move from knives to rifle; she checks each part without ever having to look down.
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Wait, wait, wait, and then Fiona stills as she hears something.
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She cranes her neck, searching for the source of the noise.
"Where?" The word is the barest exhale.
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A shadow of movement, aiming for stealth but too busy looking down. Looking for clues of men already dead.
And he's not alone.
"Two...I can see three. There might be more further out. What've you got?"
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"We'll let them get in a little closer, but not too close. They find their buddies, they'll be ready for us."
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Closer. Closer.
Almost.
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No mines, but she pulls the trigger.
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And then he doesn't have much of a head left to turn.
The third man aims in their direction, opening his mouth to yell warning to the other cluster of soldiers.
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The man might aim, but it's hard to shout with a bullet in your throat.
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Mary Anne ducks behind a tree and swears. "We're gonna have to try and get behind them. Or this shit'll last all night."
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She considers a moment while bullets take chunks out of the tree.
"They're yours if you want them--" She flashes a grin. "--but think you can save one for me?"
Her knife needs blooding, after all.
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"Only politeness, my dear." And with that, she backs up and fades into the dark.
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She suspects by the time she gets there, Fiona will have done most of the dirty work.
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She shifts her course, moving closer to Fiona's location.
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She can't stop Fiona from stumbling but she closes the distance before the soldier realizes what to do with the woman who's killed his friends. It's just as well he doesn't know about the woman standing behind him.
If you work in a medical aid station and you kill enough people, you learn something about anatomy. Like about the fourth lumbar down and the abdominal aorta. The punch knife slides in like a dream and she gives the blade a twist.
"Thanks for saving me one, dear," she says to Fiona over the dying man's shoulder.
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She draws the knife out (will have to clean it quickly, or the hilt will stain) and slides it into the man's neck. A jerk of her arm opens his throat and she lets him fall to the ground.
In the dark, the blood on her hands looks black.
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But it's Fiona's, and she brings it over then up and down to cut off the man's head. She tosses her braid back over her shoulder, her breath coming quick and deep from the fight.
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