Mary Anne Bell (
song_tra_bong) wrote2006-12-14 04:51 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(no subject)
As a rule, Mary Anne doesn't sleep with her head under the pillow. That's useful weapon storage space and sleeping with your face near a knife is just silly.
But when you're trying to avoid that damn ray of light that keeps sneaking in through the blinds and stabbing you in the eye, and you're not inclined to get out of bed and draw the curtains, under the pillow is the best option. The knife has been knocked to the floor in the course of this exercise, and she is muttering insulting things about the sun under her breath.
Any possible discomfort or annoyance this may be causing her bedmate has not been taken into consideration.
But when you're trying to avoid that damn ray of light that keeps sneaking in through the blinds and stabbing you in the eye, and you're not inclined to get out of bed and draw the curtains, under the pillow is the best option. The knife has been knocked to the floor in the course of this exercise, and she is muttering insulting things about the sun under her breath.
Any possible discomfort or annoyance this may be causing her bedmate has not been taken into consideration.
no subject
"I mean, he's a nice guy, and funny, and interesting in so many ways. And he likes me too. But... no. There's nothing deeply emotional between us."
no subject
"Just checking. Since you were so sure of your defenses."
And she's not smiling like she knows the feeling at all.
no subject
"Give me a bit of credit."
no subject
"So...aside from credit-giving--which I do plenty of, by the way--what's next?"
no subject
Apparently.
From out of nowhere.
However, there's heartfelt gratitude in the act as well. And when she draws back, teasing Mary Anne's bottom lip between her front teeth, the same deep-seated thanks is written in her eyes.
no subject
"Any time, gorgeous."
She punctuates it with a return kiss--maybe not as tempestuous as Goldy's but just as fun a way to say 'you're welcome.'
no subject
"I don't suppose you can use your magic tarot-ness to materialize a couple of cups of coffee down here?"
no subject
"Not my jurisdiction, sorry. Although..."
She chews her lower lip and stares at the ceiling, lost in thought.
no subject
"If it was, you could have turned the heating on by clicking your fingers, and we would still be all toasty warm in your... fairly comfy bed," (hey, that's not a bad concession from her) "rather than freezing our cute hineys off on your not very comfortable floor."
no subject
"Was just trying to figure out if my magic tarot-ness didn't have a few more practical applications."
no subject
Goldy's dainty eyebrows raise as one. Not quite absently, she draws a finger along Mary Anne's jawline, and up towards her ear.
"Like what, specifically, honey buns?"
She looks interested.
no subject
She can do this. She's just never done it before. Except that she knows exactly how to do it. Weird only begins to scratch the surface.
"Like finding out how Miho is."
Beat.
"Like maybe even finding her."
no subject
"Really?"
She nips her bottom lip between her teeth.
"How?"
no subject
She sits up suddenly, eyes bright and focused. She turns her right hand over and there's a deck of cards resting it it, pulled from nowhere. She starts shuffling quickly.
"I can cast a reading for her--I mean, I know her well enough to read for her without her here. Plus, I think the tarot-ness might factor in somewhere there...Anyway, I should be able to find out something about how she is. And that should be enough of a focus for me to open a door to her."
no subject
Goldy doesn't look quite as enthused as Mary Anne might expect. Her smile is very watery. She swallows, harder than she wanted to be seen.
"What if... she doesn't want us to open a door? Do you not think that might be kind of intrusive to her?"
no subject
"It very well might. She also might not be able to get back here any other way."
She gestures with the deck, slower and calmer than a few moments ago. Her eyes, however, have lost none of their focus. "If it's alright--and tell me if it's not--I'll cast the cards. Then we'll know more and we can open or close or slam doors at our leisure." She offers a reassuring smile. "If that's okay."
no subject
"Okay. That sounds good."
Of course, what transpires over the next few minutes could confirm some fears and crush Goldy. It's a risk she's willing to take, for the events could just as easily make her very happy.
"Thank you. Again," she voices pre-emptively.
no subject
She kisses her lightly on the cheek, then resumes suffling the cards. After a moment, she stops, then smoothes out a section of their bedding heap on the floor.
She cuts the deck twice, taps the top once, then deals.
"Huh."
no subject
"Well, Your Majesty, what does it all mean?"
Over all her years, tarot is something that Goldy has never dabbled in, or with. She's almost completely in the dark here.
no subject
She scoots the Nine of Swords over just enough to reveal the card beneath. Four of Swords. "This is the basis of the situation--her situtation: respite, rest after illness, solitude and exile. Now, it could be any or all of that; we'll know more the further we go."
She taps the Nine. "Immediate influence...misery, concern, despair...suffering. Five of swords--her subconsciouss--conflict, defeat...degredation and dishonor."
"Chariot inverted stands for her recent past." Her teeth dig hard into her lower lip. "Failure. Sudden collapse of plans. To be conquered or overwhelmed."
no subject
Overridingly, she seems tense and concerned.
"This... shit... this really isn't sounding so good," she remarks quietly. "Poor Sweetness..."
no subject
She taps the inverted Five of Cups. "This is her conscious mind, her goal or destiny--" And here she smiles faintly. "Hopeful outlook, return of an old friend, reunion. But the near future,"
her finger slides down to the Five of Wands,
"is struggle and violent strife."
She draws a deep breath. "Time for the sidebar. Bottom card is Death inverted, which means her attitude is one of stagnation and immobility. aI'm betting that's equal parts physical and mental. Her environment and surroundings are influenced by loss, failure and error. Her hopes and fears..."
She spends a moment staring at the Hanged Man. "...are complicated. The highlights are a life in suspension, abandonment, lack of progress, and surrender. The final outcome: debacle, disaster, self destruction."
She glares at the cards a moment longer before sweeping her hand over them. They--and the deck they came from--are gone as she stands up and heads for the dresser.
no subject
"Fucking hell..."
Her jaw is rigid, outlining a deathly pale complexion. Her knuckles are whiter though, the comforter now clenched in tight fists is the only thing preventing her nails from cutting through the skin of her palms.
"So, essentially, something horrible happened to her, leaving her physically and mentally fucked up. And... she can't get back here?"
no subject
Mary Anne rifles through the drawers, grabbing articles of clothing and heaping them on top of the dresser until she has enough to make an outfit. Then she starts getting dressed, strapping on a knife or two in between layers. She fishes her hunting knife out from underneath the bed, then crosses back over to the closet.
"So, I was thinking..."
She pulls her gun down from the shelf, tucking it into the back of her jeans. This is followed by a wide leather belt with two curved sheathes hanging from it; she straps it on, settling the knives comfortably on her hips.
"...we stop by your room for clean clothes and more weapons, then what say you to a little road trip?"
no subject
The emotion that showed on her face before has been somehow blocked or focused or beaten back. In its place is a scarily business-like demeanor: a face that is stony and dark of expressionthough perversely still quite ashen in toneand blue eyes that are as hard and cold as ice. It's a look that portends remorseless killing. A lot of it, if necessary.
"I say yes."
Beat.
"If... you're sure she wants out."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)